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Image Collection: Spiral Designs

Spiral patterns are on of the earliest Celtic motifs used. As shown in [Meehan5] (note that all secondary source documents are listed by author in square brackets, with the full text found on the Class Bibliography page), spirals have been used since Neolithic times! And, by the early Celtic period (500-350 BC), spirals are known as one of the identifying motifs of that style. Spirals continued to be popular, integrated with other artistic influences and motifs, through the entire high Insular-Celtic period.

Clip art materials using spiral motifs are divided into the following categories:

Spiral-Based Borders

These images include both horizontal separator "lines" and vertical backgrounds with left-hand borders. Please click on the bordered thumbnails to see the full-size images.

Where possible, the components of the borders are provided. That is, the left edge, the center (middle) repeated section, and the right edge are provided as separate files. These may be combined to make borders of any size desired.

1.

The following panels are based on a simple spiral border originally from Kells, found in [BainG] page 65, Plate 9. Border 1.a is simply colored (and is used as the border for this page), while 1.b is rendered as "gold jewelry" and 1.c through 1.e use simple shades of gray.

a.
b. Left: Middle: Right:
c. Left: Middle: Right:
d. Left: Middle: Right:
e. Left: Middle: Right:

2.

The following panels are based on another border from Kells, found in [BainG] page 65, Plate 9. Panel 2.a is "paint on parchment", while panels 2.b and 2.c use simple shades of gray.

a.
b. Left: Middle: Right:
c. Left: Middle: Right:

3.

The following panels are based on a third border, using two sets of interleaved spirals, originally from Kells. I also found this pattern in [BainG] page 65, Plate 10. Both panels 3.a and 3.b use simple shades of gray.

a. Left: Middle: Right:
b. Left: Middle: Right:


Spiral-Based Tiles

1.

These are based on the spiral pattern found on the Aberlemno Stone; the same pattern as the center of Tile 3 in the Other/Combination Tiles page and the repeating version below. I added a simple curved keywork pattern at the corners to fill in the blank spaces of Tiles 1.a-b, while Tiles 1.c-d repeat in a "space filling" pattern. They are all rendered simply using shades of gray.

a.  b.  c.  d. 

2.

These tiles are also based on the spiral pattern found in the center of the Aberlemno Stone; the same pattern as Tile 1 above. [BainG] gives a hint as to how this pattern could be made repeating. I followed the hint and got it to work pretty well, though I must confess I got almost dizzy at times from trying to follow the repeating spirals. :-) They use a "space filling" repeating pattern, with minor variations in number of spiral arm repeats and connections between spirals. The tiles are rendered in light rough texture, gray-scale, "beaten gold", "gold jewelry", and "carved stone".

a.  b.  c.  d.  e.  f.  g.  h.  i.  j.  k.  l.  m.  n.  o.  p.  q.  r.  s.  t.  u.  v.  w.  x. 

3.

These tiles are based on a pattern from the border of the Ardagh Chalice. Tiles are rendered in shades of gray, "carved stone", and "gold jewelry".

a.  b.  c.  d.  e.  f. 

4.

These spiral tiles are based on a pattern originally found on the Meigle Stone and a number of Pictish stones, according to [BainG] page 67, Plate 13. They use a four-armed spiral, vice the three-armed version used on Tiles 1-3 above. Tiles 4.a use a "beaten gold" texture, while the others are all in shades of gray.

a.  b.  c.  d.  e. 

5.

These interconnecting spiral pattern tiles are based on a design used on the Tarbat Stone (Ross-Shire). I found the pattern analyzed in [BainG] page 67, Plate 13. They use two interlocking three-armed spirals. All tiles of this type are presented in shades of gray.

a.  b.  c.  d. 

6.

These tiles are an original design, but are inspired by patterns using spirals of different radius, like those found on the Tarbat Stone and described in [BainG] page 67. They are rendered in simple shades of gray (Tiles 6.a-6.3), in "gold wire" (Tiles 6.f) and in a sort of "gold filigree" (Tile 6.g).

a.  b.  c.  d.  e.  f.  g. 

7.

As in Tile 6 above, these backgrounds are based on an original spiral pattern, in this case combined with a triangular interlaced grid. Tiles 7.a-7.d are all rendered in shades of gray, with 7.b and 7.d in a low-contrast form. Tile 7.e is done in shades of blue, and 7.f rendered as "gold wire".

a.  b.  c.  d.  e.  f. 

8.

This pattern is from an unknown folio of the Book of Kells, but I found it in [BainG] page 65, Plate 10 (2nd from the top right side). The tiles below are rendered in simple gray-scale.

a.  b. 

9.

This pattern from the Ardagh Chalice is a simplified version of one found in [BainG] page 65, the top pattern on Plate 9. The tiles below are rendered in gray-scale and simple colors.

a.  b.  c.  d.  e. 

10.

This pattern from the Book of Kells was found in [BainG] page 65, 2nd from the top pattern on Plate 9. A border version of this design is found in Border 2 above. It is interesting to compare this with the design in Tile 3 above from the Ardagh Chalice. The tiles below are rendered in simple gray-scale.

a.  b. 

11.

This pattern from the Book of Kells was found in [BainG] page 62, top of Plate 4. The tiles below are rendered in simple gray-scale and "gold jewelry".

a.  b.  c. 

12.

This pattern from the Book of Kells (unknown folio) can be found in [BainG] page 65, 3rd from the top pattern on Plate 9. I tweaked the pattern in Tile 12.c to make it space filling rather than a simple border fill. The tiles below are rendered in simple gray-scale and "carved stone".

a.  b.  c. 

13.

This pattern from a roundel in the Book of Durrow Folio 3v, and can be found in [BainG] page 60, Plate M. I tweaked the pattern to make it into a space filling repeat. The tiles below are rendered in simple gray-scale and "gold jewelry".

a.  b.  c. 

14.

The tiles in this section are based on a design I found in [Meehan5] page 138, figure 85.d. I tweaked the pattern to make it into a space filling repeat using the techniques from the design of the Aberlemno Stone. The tiles below are rendered in simple gray-scale, "carved stone" and "gold jewelry".

a.  b.  c.  d.  e. 

15.

The tiles in this section are based on a design I found in [Meehan5] page 141, figure 88, originally from the Hitchin Hanging Bowl. I tweaked the pattern to make it into a space filling repeat. The tiles below are rendered in simple gray-scale.

a.  b. 

16.

These tiles are based on a design I found in [Meehan5] page 142, figure 89, originally from the Gracey Chalice. I tweaked the pattern to make it into a space filling repeat. The tiles below are rendered in simple gray-scale and "gold jewelry".

a.  b.  c. 

17.

These tiles are based on a design the Book of Kells, folio 28v. I did the analysis and subsequently tweaked the pattern to make it into a space filling repeat. The tiles below are rendered in simple gray-scale.

a.  b. 

18.

These tiles are based on a design the Book of Kells, folio 32v. I did the analysis, then found that Bain had already done it! See [BainG] pg. 66, bottom of Plate 12. The tiles below are rendered in simple gray-scale.

a.  b. 

19.

These tiles are an original design, but are inspired (like Tiles 6 and 7 above) by patterns using spirals of different radius, like those found on the Tarbat Stone and described in [BainG] page 67. They are rendered in simple shades of gray.

a.  b. 


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Most recent revision: 9 May 2020